un-sight un-sound/ yet/ in vacuum of doubt’s expel/ clamouring for beyond flesh what meat as if/ yet forage no/ not a/ eye crushed within fist of none/ echoing chamber of nothing/ never dispelled
Un-Sight/ Un-Sound (delirium X.) is a prose-poetic work in three sequences: “delirium X,” “Meat Sequence (after Francis Bacon),” and “Ghost-Limb Tongue.” In the first, quotations from various authors (Bataille, Beckett, Luca, Popa et al.) are used as springboards for surreal imagistic fragmentation. The second section, inspired by Deleuze’s Francis Bacon, deals with the subject of flesh/ meat and explores the concept of the human object divulged of identity/ place, stripped of ego, and viewed from an externus. The third section addresses the conflict between sense and the real and concludes with a collection of aphorisms written with regard to words becoming a bankrupt form of expression in the conflict between language and the Post-Human world . . .
“It is nice to see that language too can be broken and made to rot like everything else.” – E. Elias Merhige
“M’s project is to reveal the terrible tenacity of words that stubbornly persist in meaning when we deliberately set about using them as weapons to torment the angelic cadavers strewn about where the happy holiday camps of the mindlessly grinning flowers & summer brigade used to poison the mind.” – David McLean
“[T]here are moments in Un-Sight/ Un-Sound where it seems as if the hold language has over our perceptions is being, if not broken, then at least distorted enough for us to catch a glimpse of the world that lies behind our makeshift descriptions and definitions.” – Christopher Brownsword